Self
Volume 3 Issue 4 – Unworlded After-Picture: The New State of Being in the Virtual Cosmos by Mary Claire Brunelli
Volume 3 Issue 4 – The Beast of History: Human to Animal and Animal to Human Transformations in Polish Horror Films by Agnieszka Jezyk
Volume 3 Issue 4 – Pain in someone else’s body: Plural Subjectivity in Stargate SG-1 by K.M. Ferebee
Volume 3 Issue 2 – Misrepresentation, Identity, and Authorship in Percival Everett’s Erasure by Gergely Vörös
Volume 3 Issue 2 – Cyborg Incorporated: Mechanics, Aesthetics, and Cyborg Narrativity in David Cronenberg’s Videodrome and eXistenZ by Meike Robaard
Volume 3 Issue 1 – Exploring the Anxiety of Action in Call Me by Your Name by Suchandra Bose
Volume 3 Issue 1– Shame and Failure of Recognition in Amitav Ghosh’s The Hungry Tide by Siddhant Datta
Volume 3 Issue 1 – There’s a Special Kind of Monster that is a Woman’: Locating Female Subjectivity in the Narrative of the Monstrous Murderess in Netflix’s Alias Grace by Nikita Gloria Pinto
Volume 3 Issue 1 – “On the Vaporization and Centralization of the Self”: The Notion of the Subject in Modern Western Discourse by Donato Loia
Volume 3 Issue 1 – Image, Language, and Subjectivity in Samuel Beckett’s Krapp’s Last Tape by Ananta Ahuja
Volume 3 Issue 1 – Identity and Difference: Understanding Subjectivity through Wittgenstein’s Family Resemblances by Paul Martorelli
Volume 3 Issue 1 – Negotiating Subjectivity and Body: Access to an E-pistolary Corporeality by Dong Xia
Volume 2 Issue 3 – The ‘Three Moments of Art’ and Truth-Event: Reflections on Muktibodhian Creative-Process by Anup Kumar Bali
Volume 2 Issue 3 – The Postmodern Text: Answer to the Problem of Meaning by Raunak Kumar