VOLUME 3 ISSUE 1
Erasure of the Subject: Postmodern Reflections
- “On the Vaporization and Centralization of the Self”: The Notion of the Subject in Modern Western Discourse by Donato Loia
- Negotiating Subjectivity and Body: Access to an E-pistolary Corporeality by Dong Xia
- Identity and Difference: Understanding Subjectivity through Wittgenstein’s Family Resemblances by Paul Martorelli
Special Submissions
- Image and Truth: Paradigms of Modern Translation Theory by Rawad Alhashmi
- Written and Over-written: Investigating Metafictional Strategies in Janet Frame’s The Carpathians by Pooja Sancheti
Oceanvale Workshop
Exploring Subjectivity: Mind, Body, Action
- Image, Language, and Subjectivity in Samuel Beckett’s Krapp’s Last Tape by Ananta Ahuja
- ‘There’s a Special Kind of Monster that is a Woman’: Locating Female Subjectivity in the Narrative of the Monstrous Murderess in Netflix’s Alias Grace by Nikita Gloria Pinto
- Shame and Failure of Recognition in Amitav Ghosh’s The Hungry Tide by Siddhant Datta
- Resistance as Embodied Experience: A Study of Mahasweta Devi’s “Draupadi” and “Behind the Bodice” by Anoushka Sinha
- Exploring the Anxiety of Action in Call Me by Your Name by Suchandra Bose