Performance Studies
Volume 3 Issue 3 – Spoken Word Videos and the Automodern Femme: Subversive Agency and Technologizing Safe Spaces by Oluwadamilare I. Bello
Volume 3 Issue 1 – Image, Language, and Subjectivity in Samuel Beckett’s Krapp’s Last Tape by Ananta Ahuja
Volume 2 Issue 3 – Spectators Onstage: Metatheatrical Experiments in Early Tom Stoppard by Iswarya V.
Volume 2 Issue 2 – Linguistic Contextuality: Deixis, Performance, Materiality by Aaron Finbloom
Volume 2 Issue 2 – “Blood Draws Flies”: Arab-Western Entanglement in Sulayman Al-Bassam’s Cross-Cultural Hamlet by Yvonne Stafford-Mills
Volume 2 Issue 1 – Improvising Theatrical Jazz in a Queer Space: Aishah Rahman’s Unfinished Women Cry in No Man’s Land While a Bird Dies in a Gilded Cage by Ege Altan
Volume 1 Issue 4 – Abdelkrim Berchid: Festive Theatre and the Post-Colonial Condition by Abdeladim Hinda
Volume 1 Issue 1 – That Thing Called Love, And The Thing Called Fat by Prerna Subramanium