Cinema Studies
Volume 4 Issue 2 – Democratised Media in the Digital Age: John Grierson and Travails of Political Propaganda by Jack Haydon Williams
Volume 4 Issue 1 – Navigating the Labyrinth of Chaos: Metaphor and Myth in Joker’s Dystopian Capitalism by Loraine Haywood
Volume 3 Issue 4 – The Beast of History: Human to Animal and Animal to Human Transformations in Polish Horror Films by Agnieszka Jeżyk
Volume 3 Issue 4 – Pain in someone else’s body: Plural Subjectivity in Stargate SG-1 by K.M. Ferebee
Volume 3 Issue 2 – Prosthetic Versus Embodied Memory in Westworld‘s “Kiksuya” and Janelle Monáe’s Dirty Computer by Colleen Johnson
Volume 3 Issue 2 – Cyborg Incorporated: Mechanics, Aesthetics, and Cyborg Narrativity in David Cronenberg’s Videodrome and eXistenZ by Meike Robaard
Volume 3 Issue 1 – There’s a Special Kind of Monster that is a Woman’: Locating Female Subjectivity in the Narrative of the Monstrous Murderess in Netflix’s Alias Grace by Nikita Gloria Pinto
Volume 2 Issue 4 – Through the Haze: Fidelity of Adaptation in Paul Thomas Anderson’s Inherent Vice by Travis Merchant
Volume 2 Issue 4 – Toward a Dialogic Reception in Adaptation Studies: Bundle Theory and Fidelity Discourse in Contemporary Adaptations of Macbeth by William Puckett
Volume 1 Issue 3 – Cinema as Historian: Agnotology and the Politics of Historical and Fictional Representations of the Vietnam War by Naveen John Panicker